História dos produtos
CMV 3
O primeiro microfone condensador

A 'Garrafa Neumann', o primeiro microfone condensador produzido em massa. Diâmetro: 9 cm, altura: 40 cm, peso: 3 kg. A Telefunken, uma subsidiária da AEG, assumiu os direitos de marketing deste microfone Neumann.
Saber mais1928
What else happendAM 31
Máquina de gravação para cera

O AM 31 foi o sucessor do primeiro torno de corte de disco AM 29 da Neumann, que ainda era acionado por correia. O inovador acionamento direto amortecido com óleo do AM 31 garantiu uma rotação extremamente uniforme.
1930
What else happendR 21
Máquina de gravação portátil

O R 21 era um gravador de disco portátil para coleta eletrônica de notícias. Enquanto os tornos de corte de disco estacionários gravavam o sinal em discos de cera pesados, o R 21 usava folha de gelatina como meio de gravação.
1933
What else happendLevel Recorder
Registrador de nível logarítmico

No início, Neumann também desenvolveu equipamentos de medição como este gravador de nível, que era capaz de desenhar curvas de resposta de frequência em papel encerado.
1934
What else happendMM 2
Microfone de medição

O primeiro microfone de medição da Neumann. Seu amplificador valvulado foi baseado no U 47, mas em vez de uma grande cápsula de diafragma, ele usou uma pequena cápsula condensadora de alta precisão em um pescoço longo para evitar reflexos do corpo do microfone.
Saber mais1949
What else happendU 47
Microfone condensador comutável

O primeiro microfone condensador de padrão selecionável. Ele foi usado em inúmeras gravações famosas. Talvez o microfone Neumann mais popular - e com certeza uma lenda.
Saber mais1949
What else happendM 49
Microfone condensador comutável remoto

O M 49 foi o primeiro microfone de estúdio com um padrão direcional continuamente variável. Ele usava a mesma cápsula de diafragma grande do U 47, e está entre os microfones de tubo mais procurados de todos os tempos.
Saber mais1951
What else happendM 50
Microfone condensador (omnidirecional)

O M 50 foi fundamental no desenvolvimento da técnica de gravação da árvore Decca. A cabeceira de malha aberta abriga uma pequena cápsula de diafragma montada em uma pequena esfera. Suas propriedades acústicas exclusivas são ideais para gravações orquestrais.
Saber mais1951
What else happendKM 53
Microfone miniatura

O primeiro microfone de estúdio de diafragma pequeno da Neumann. O KM 53 era um transdutor de pressão com um diafragma de metal ultra-fino. Como todos os microfones de sua época, ele operava com válvulas eletrônicas.
Saber mais1953
What else happendKM 54
Microfone miniatura

O KM 54 era a contraparte cardióide do microfone omnidirecional de diafragma pequeno KM 53, lançado no ano anterior. O KM 54 apresentava um diafragma de metal ultra-fino e um tubo eletrônico.
Saber mais1954
What else happendMM 3
Microfone de medição

O MM 3 era um microfone de medição de alta precisão, muito parecido com seu antecessor, o MM 2, mas com eletrônica de tubo atualizada.
Saber mais1954
What else happendKM 56
Microfone miniatura comutável

O primeiro microfone de diafragma pequeno da Neumann com padrões direcionais selecionáveis (omni, cardióide, figura 8). Devido à sua complexidade em um pequeno tamanho, o KM 56 foi classificado entre os microfones mais caros de sua era.
Saber mais1955
What else happendSM 2
Microfone estéreo

O primeiro microfone estéreo da Neumann. Com seus dois sistemas de diafragma pequenos selecionáveis independentemente (omni, cardióide, figura 8), o SM 2 permitia todos os tipos de técnicas de gravação estéreo coincidentes.
Saber mais1957
What else happendU 48
Microfone condensador comutável

O U 48 era uma variante especial do microfone de estúdio carro-chefe da Neumann, o U 47. Em vez de padrões cardióide e omni, o U 48 oferecia cardióide e figura-8 (bidirecional).
Saber mais1957
What else happendMM 5
Microfone de medição

O MM 5 foi uma atualização dos microfones de medição anteriores da Neumann, o MM 2 e o MM 3 com eletrônicos de baixo ruído, mas ainda baseados em tubo. O MM 5 permaneceria como o último microfone de medição produzido pela Neumann.
Saber mais1959
What else happendKM 253
Microfone miniatura (à prova de altas frequências)

Uma versão especial do microfone omnidirecional de diafragma pequeno KM 53 para a indústria de transmissão. Para aumentar a imunidade à HF, o KM 253 foi equipado com um plug novo e maior.
Saber mais1960
What else happendKM 254
Microfone miniatura (à prova de altas frequências)

Uma versão especial do microfone de diafragma pequeno cardióide KM 54 para a indústria de broadcast. Para aumentar a imunidade a altas frequências, o KM 254 foi equipado com um plug diferente.
Saber mais1960
What else happendKM 256
Microfone miniatura (a prova de altas frequências)

Uma versão especial do microfone de diafragma pequeno KM 56, carro-chefe da Neumann com padrões selecionáveis (omni, cardióide, figura 8). Conforme solicitado pela indústria de transmissão, o KM 256 foi equipado com um plugue diferente para aumentar a imunidade às altas frequências.
Saber mais1960
What else happendU 67 (1960)
Microfone condensador comutável

O microfone de tubo U 67 foi o carro-chefe do estúdio por excelência ao longo dos anos de formação da música moderna. Hoje, mais do que nunca, seu som inimitavelmente suave continua em alta demanda.
Saber mais1960
What else happendSM 23 c
Microfone estéreo

Uma versão atualizada do microfone estéreo de Neumann SM 2. Como seu antecessor, o SM 23 tem dois pequenos sistemas de diafragma com padrões polares selecionáveis. O sistema superior pode ser girado para permitir as técnicas estéreo XY, MS e Blumlein.
Saber mais1961
What else happendM 269 c
Switchable Condenser Microphone

The M 269 c was a special version of the U 67 for the German broadcast industry, which insisted on the use of the AC 701 tube (instead of the EF 86 used in the U 67).
Saber mais1962
What else happendAK 3
Mixing Console

Between 1963 and 1993 Neumann manufactured a great deal of mixing consoles for radio and film studios, television, theatres, concert halls and the recording industry.
1963
What else happendKM 64
Miniature Microphone

The KM 64 was the successor to Neumann’s KM 54 small diaphragm cardioid microphone. It still used an AC 701 tube circuit, but its capsule was a new design with a Mylar diaphragm.
Saber mais1964
What else happendSM 69
Stereo Microphone

Neumann’s first large diaphragm stereo microphone SM 69 was still tube based. Polar patterns were selectable for each capsule individually via the power supply.
Saber mais1964
What else happendU 64
Miniature Microphone

The U 64 was a variant of the KM 64 small diaphragm microphone. Instead of the Telefunken AC 701, which was not as easily available in non-European countries, the U 64 used a tiny nuvistor tube.
Saber mais1964
What else happendSRM 64
Long Neck Stage Microphone

A long neck stage microphone for speeches and presentations. The SRM 64 consisted of a cardioid condenser capsule and a tube amplifier, hidden in the lower part of the stand tube.
Saber mais1964
What else happendKTM
Transistor Microphone for Modulation Lead Powering

Neumann’s first solid state microphone. The KTM was a small diaphragm microphone using the same capsule as the KM 64. The KTM was soon replaced with the KM 74, which was almost identical except for a smaller body diameter.
Saber mais1965
What else happendKM 73
Miniature Microphone for Modulation Lead Powering

The KM 73 was an omnidirectional small diaphragm microphone with solid state electronics. It was powered via T-power, P48 phantom power had not yet been invented.
Saber mais1966
What else happendKM 74
Miniature Microphone for Modulation Lead Powering

The KM 74 the successor to the KTM, Neumann’s first transistorized microphone. It used the same cardioid capsule as the KM 64 and KM84, but the grounding scheme of its T-powered circuit necessitated a different capsule head design.
Saber mais1966
What else happendKM 75
Miniature Microphone for Modulation Lead Powering

The KM 75 was a cardioid microphone for short distances, e.g. in speech applications. Its capsule had a built-in low cut to compensate for the proximity effect. Like all KM 70 microphones, the KM 75 was T-powered.
Saber mais1966
What else happendKM 66
Switchable Miniature Microphone

The KM 66 was a small diaphragm microphone with switchable patterns similar to the KM 56 but with two cardioid capsules with mylar diaphragms. The KM 66 was to remain Neumann’s last tube microphone design for almost 30 years.
Saber mais1966
What else happendKM 83
Miniature Microphone for Phantom Powering

The KM 83 was the omnidirectional model of the KM 80 series, which introduced a technology, which, due to its many advantages, soon became the new standard: P48 phantom power.
Saber mais1966
What else happendKM 84
Miniature Microphone for Phantom Powering

The small diaphragm cardioid microphone KM 84 was built until 1992 and remains one of the most popular Neumann classics. Its even frequency response and consistent pickup pattern make it a sought-after microphone for all genres.
Saber mais1966
What else happendKML
Clip-on Microphone

Neumann’s first Lavalier microphone. Its solid state amplifier could be battery powered and used with wireless transmitters of the day, such as the Sennheiser SK 1007.
Saber mais1966
What else happendKM 85
Miniature Microphone for Phantom Powering

The KM 85 was a cardioid microphone like the KM 84 but with a low cut built into the capsule to compensate for the proximity effect. The KM 85 was thus optimized for short distances as are typical in speech applications.
Saber mais1966
What else happendKM 76
Switchable Miniature Microphone

The KM 76 was the solid state successor to the KM 66 small diaphragm tube microphone. The KM 76 offered switchable patterns (omni, cardioid, figure-8) and operated T-powered.
Saber mais1967
What else happendU 87 i
Switchable Studio Microphone

The Neumann U 87 is probably the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 is the standard microphone for speech and vocals.
Saber mais1967
What else happendKM 86
Switchable Miniature Microphone

Like the KM 76, the KM 86 was a transistorized successor to the KM 66 small diaphragm tube microphone. The KM 86, however, was developed for P48 phantom power, introduced a few years earlier by Neumann – and soon the world standard.
Saber mais1968
What else happendKMA (1968)
Clip-on Microphone

The KMA (not to be confused with today’s KM A modular microphone system!) was an improved Lavalier microphone with an omnidirectional capsule and a detached amplifier. It ran on batteries or phantom power.
Saber mais1968
What else happendU 77
Switchable Studio Microphone (Mod. Lead Powering)

Like the U 87, the U 77 was a solid state successor to Neumann’s classic tube microphone U 67. But instead of phantom power – which was not yet a studio standard – the U 77 operated on T-power.
Saber mais1968
What else happendKM 88
Switchable Miniature Microphone

The KM 88 was a multipattern small diaphragm microphone (omni, cardioid, figure-8) with FET electronics, similar to the KM 86. However, it used the same nickel capsules previously found in the KM 56 tube microphone.
Saber mais1969
What else happendSM 69 fet
Stereo Microphone (Transistor)

With the beginning of the new decade, Neumann’s large diaphragm stereo microphone SM 69, too, was converted to solid state electronics. Nonetheless it still required a dedicated power supply due to its remote pattern control.
Saber mais1970
What else happendKMS 85
Handheld Microphone

Neumann’s first handheld vocal microphone had an unusual shape, but it proved that clever engineering could render condenser microphones stage-ready.
Saber mais1971
What else happendSRM 84
Long Neck Stage Microphone

The successor to the SRM 64 long neck stage microphone. Instead of a tube amplifier the SRM 84 had a solid state circuit hidden in the lower part of the stand tube.
Saber mais1971
What else happendU 47 fet (1972)
Studio Microphone

By the early 70s Neumann’s tube microphone U 47 was legendary among seasoned engineers, and many wished for a direct solid state successor. The U 47 fet never quite filled those giant footprints, but was eventually (re)discovered as a classic in its own right.
Saber mais1972
What else happendKU 80
Dummy Head

In the early 70s people began to think beyond stereo. Neumann’s first dummy head microphone KU 80 was able to capture a realistic, three-dimensional sound image for headphone playback.
Saber mais1973
What else happendQM 69
Quadrophonic Microphone

In the mid-70s quadraphonic sound became popular among hi-fi enthusiasts. The Neumann QM 69 was a variant of the SM 69 fet with four separate outputs for each half of the two dual diaphragm capsules.
Saber mais1974
What else happendU 497
Studio Microphone

A microphone specially made for the French broadcasting network ORTF. The U 497 featured a K47 capsule and a sophisticated solid state circuit, similar to that of the U 47 fet, but adapted to French radio’s 12V-powering system.
Saber mais1975
What else happendKMS 84
Handheld Microphone

Neumann’s second attempt at a stage microphone looked considerably more handsome than the KMS 85 introduced a few years earlier. The KMS 84 used the same capsule as the KM 84 in a newly designed headbasket with excellent pop protection.
Saber mais1977
What else happendKMR 82 i
Microfone shotgun

Neumann’s first shotgun microphone was designed with great attention to an even off-axis response to minimize unwanted sound coloration. The KMR 82 i is still in production!
Saber mais1978
What else happendVMS 80
Disc Cutting Machine

Disc cutting lathe for vinyl. For many decades, Neumann was the world market leader for record cutting machines.
1978
What else happendUSM 69 i
Microfone estéreo

The USM 69 i is an updated version of Neumann’s large diaphragm stereo microphone SM 69 fet. Thanks to its integrated pattern controls the USM 69 i does not require a dedicated power supply anymore but can be run off phantom power.
Saber mais1979
What else happendU 89 i
Microfone de estúdio

Designed as a successor to the U 87, the U 89 was eventually recognized as a classic Neumann microphone in ist own right. The U 89 sports an all-new dual diaphragm capsule with a consistently linear sound in five pickup patterns.
Saber mais1980
What else happendVMS 82
Disc Cutting Machine

Direct Metal Mastering (DMM) disk cutter with SX 82 disk writer and SAL82 writer drive logic.
1981
What else happendKMF 4 i
Miniature Microphone

A miniature microphone with a detached amplifier. Its visually unobtrusive cardioid capsule had a diameter of only 17 mm. The KMF 4 i could operate on phantom power or batteries.
Saber mais1982
What else happendKU 81
Dummy Head

While older dummy head microphones created a stunningly realistic sound image when played back over headphones, loudspeaker playback was unsatisfactory. The KU 81 cured this with capsules equalized for the diffuse-field.
Saber mais1982
What else happendKMR 81 i
Microfone shotgun

A short shotgun microphone, primarily designed for film dialogue. Like its longer sibling, the KMR 82 i, the KMR 81 i is still in production!
Saber mais1983
What else happendTLM 170
Transformerless, switchable Studio Microphone

With the TLM 170 Neumann brought the first transformerless microphone onto the market. The absence of transformers makes the sound more transparent and open.
Saber mais1983
What else happendU 87 Ai
Microfone de estúdio

Compared to the U 87 i, the U 87 Ai has minor changes in the electronics: higher operating safety, increased transmission factor, improved S/N ratio, omitted internal battery supply.
Saber mais1986
What else happendRSM 190 i
First Stereo Shotgun Microphone

A stereo shotgun microphone with external matrix box. The RSM 190 i was a mid/side microphone with the shotgun part delivering the M-component and a second figure-8 capsule system, angled 90 degrees, providing the S-component.
Saber mais1987
What else happendKM 130
Miniature Microphone

The KM 130 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 130 combines the KM 100 output stage with the diffuse-field equalized omni capsule AK 30.
Saber mais1988
What else happendKM 131
Miniature Microphone

The KM 131 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 131 combines the KM 100 output stage with the free-field equalized omni capsule AK 31.
Saber mais1988
What else happendKM 140
Miniature Microphone

The KM 140 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 140 combines the KM 100 output stage with the cardioid capsule AK 40.
Saber mais1988
What else happendKM 143
Miniature Microphone

The KM 143 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 143 combines the KM 100 output stage with the wide cardioid capsule AK 43.
Saber mais1988
What else happendKM 145
Miniature Microphone

The KM 145 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 145 combines the KM 100 output stage with the cardioid capsule AK 45, whose built-in low cut compensates the proximity effect.
Saber mais1988
What else happendKM 150
Miniature Microphone

The KM 150 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 150 combines the KM 100 output stage with the hypercardioid capsule AK 50.
Saber mais1988
What else happendRSM 191-S
Stereo Shotgun Microphone

Slightly modified version of the RSM 190. The matrix box got smaller additional features.
1988
What else happendGFM 132
Boundary Layer Microphone

Neumann’s first and only boundary layer microphone. The GFM 132 was designed using computer simulations: The unique shape of the base plate avoids comb filter effects.
Saber mais1990
What else happendTLM 50
Pressure Microphone

The TLM 50 revived the unique capsule technology of the classic Neumann M 50 of the 1950s and combined it with a cutting edge transformerless head amplifier for lowest noise and distortion.
Saber mais1990
What else happendKMS 140
Handheld Micropohne

A handheld condenser microphone for pristine vocals on stage. The KMS 140 (cardioid) was the precursor to today’s very successful KMS 104.
Saber mais1991
What else happendKMS 150
Handheld Microphone

A handheld condenser microphone for pristine vocals on stage. The KMS 150 (hypercardioid) was the precursor to today’s very successful KMS 105.
Saber mais1991
What else happendKFM 100
Spherical-Surface Stereo Microphone

The spherical surface microphone KFM 100 had two omni capsules flush mounted in a sphere. It worked similar to a dummy head stereo microphone, but was optimized for loudspeaker playback. Although technically excellent, it never caught on.
Saber mais1992
What else happendKU 100
Cabeça de manequim

The new and improved dummy head microphone KU 100 offers a truely immersive sound experience for music and audio drama productions. It is also used for industrial applications.
Saber mais1992
What else happendN 7000
Modular Mixing Console

By the time the N7000 series was introduced, Neumann had already built mixing consoles for almost 30 years. The N7000 had comprehensive computer automation while the signal path remained analog.
1992
What else happendStrategy 2002
Mixing Console

By the time the N7000 series was introduced, Neumann had already built mixing consoles for almost 30 years. The N7000 had comprehensive computer automation while the signal path remained analog.
1993
What else happendTLM 170 R
Microfone de estúdio

Ten years after its initial release the TLM 170 was updated with Neumann’s new remote switching technology. In the ‚R’ setting the directional pattern may be controlled from the PSU with no special multipin cables required.
Saber mais1993
What else happendTLM 193
Microfone de estúdio

By focusing on the essential features that are important for most home recording users, Neumann was able to offer the TLM 193, a cardioid microphone for smaller budgets in this increasingly larger area.
Saber mais1993
What else happendKM 184 (Series 180)
Microfone miniatura

A reference class small diaphragm microphone with a consistent cardioid pattern, independent of frequency. The KM 184 is the successor to the classic KM 84 and can handle much higher SPLs, thanks to its transformerless output stage.
Saber mais1994
What else happendRSM 191 A Set
Stereo Shotgun Microphone

A stereo shotgun microphone for broadcast, film, and on-location applications. Like its predecessor the RSM 191 A operates in mid/side technique; the corresponding new MTX 191 A matrix box offered significantly enhanced features.
Saber mais1994
What else happendM 149 Tube
Microfone de válvula de estúdio

Neumann’s first tube microphone after an almost 30-year-hiatus. The M 149 received a TEC Award for its innovative combination of a (surprisingly low noise) tube circuit with a state-of-the-art transformerless output stage.
Saber mais1995
What else happendKM 120
Miniature Microphone

The KM 120 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 120 combines the KM 100 output stage with the figure-8 capsule AK 20.
Saber mais1997
What else happendTLM 103
Microfone de estúdio

Conceived as an affordable alternative to the venerable U 87, the TLM 103 has since become a modern studio standard. With a self-noise of only 7 dB-A the TLM 103 is one of the quietest microphones available.
Saber mais1997
What else happendM 147 Tube
Microfone de válvula de estúdio

The M 147 Tube brings back the classic sound of Neumann’s famous tube microphones of the 1950s. It uses the same capsule as the legendary U 47 combined with an innovative transformerless tube circuit.
Saber mais1998
What else happendTechnical Grammy
Technical Grammy 1999

Neumann was the first microphone manufacturer to receive the prestigious Technical Grammy Award of the National Academy of Recording Arts & Sciences in 1999.
1999
What else happendKMS 105
Microfone de palco

The KMS 105 is a studio grade vocal microphone with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight supercardioid pattern.
Saber mais1999
What else happendKM 183 (Series 180)
Microfone miniatura

Um microfone de diafragma pequeno de referência com um padrão omni consistente, independente da frequência. O KM 183 é o sucessor do clássico KM 83 e pode lidar com níveis de pressão sonora muito mais elevados, graças ao seu estágio de saída sem transformador.
Saber mais1999
What else happendKM 185 (Series 180)
Microfone miniatura

A reference class small diaphragm microphone with a consistent hypercardioid pattern, independent of frequency. Its high directivity makes the KM 185 an excellent problem solver for demanding applications such as drum recording.
Saber mais1999
What else happendM 150 Tube
Microfone de válvula de estúdio

A unique omnidirectional tube microphone, based on the legendary Neumann M 50 of the 1950s. Its titanium capsule is flush mounted in a small sphere to increase directivity at higher frequencies – ideal for DECCA Tree techniques.
Saber mais2000
What else happendKK 105 S
Cabeça do microfone (SKM 5200/5000 N)

Neumann sound on stage – wireless! The capsule head KK 105 S uses a precision manufactured true condenser supercardioid capsule and is specially designed for Sennheiser SKM 5000/5200 handheld transmitters.
Saber mais2002
What else happendBCM 104
Microfone de locução

The state of the art broadcast microphone from Neumann, made to convey emotion with perfection. Its functionally optimized design features an integrated pop screen and a shock protected large diaphragm condenser capsule.
Saber mais2003
What else happendD-01
Microfone de estúdio digital

A new milestone: The D-01 digital microphone is the flagship of Neumann’s Solution D technology ensuring unprecedented fidelity and an enormous dynamic range of 130 dB. All functions may be remote controlled via the AES 42 interface.
Saber mais2003
What else happendTLM 127
Studio Microphone

Designed as the bigger brother of the popular TLM 103, the TLM 127 offered additional functions such as pad and low cut and even remote controllable patterns using the patented technology Neumann had introduced ten years earlier with the TLM 170 R.
Saber mais2003
What else happendKK 104 S
Cabeça do microfone (SKM 5200/5000 N)

Neumann sound on stage – wireless! The capsule head KK 104 S uses a precision manufactured true condenser cardioid capsule and is specially designed for Sennheiser SKM 5000/5200 handheld transmitters.
Saber mais2004
What else happendBCM 705
Microfone de locução

An affordable broadcast microphone from Neumann, made to convey emotion with perfection. Its functionally optimized design features an elastic suspension. Neumann’s first microphone with a dynamic capsule.
Saber mais2005
What else happendKMS 104
Microfone de palco

The KMS 104 is a studio grade vocal microphone with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight cardioid pattern.
Saber mais2006
What else happendTLM 49 Set
Microfone de estúdio

The sound of Neumann’s vintage classics, recreated with trouble free FET circuitry. The TLM 49 uses the same capsule and the same iconic headgrille design as the legendary M 49. Like a tube microphone, the TLM 49 produces soft saturation at higher SPLs.
Saber mais2006
What else happendSystem KM A/D
Modular Miniature Microphone System

The System KM A/D is a modular microphone system for even the most demanding applications. Eight different small diaphragm capsules (KK 120 … KK 185) may be combined with either an analog output stage (KM A) or a digital AES 42 output stage (KM D).
2006
What else happendU 87 Anniversary Set
Studio Microphone

For its 40th anniversary the U 87 was offered as a special set in a unique retro style case. The microphone, its shock mount, and the exclusive 60s style pop shield featured an attractive combination of polished and matte nickel surfaces.
Saber mais2007
What else happendTLM 103 D
Microfone de estúdio digital

The digital version of Neumann’s acclaimed TLM 103 large diaphragm condenser microphone. The TLM 103 D uses Neumann’s Solution D converter technology ensuring highest fidelity with an enormous dynamic range of 130 dB.
Saber mais2008
What else happendTLM 67
Microfone de estúdio

Inspired by Neumann’s classic tube microphone U 67, the TLM 67 produces a similar sound with trouble free FET circuity. Like its predecessor, the TLM 67 is a workhorse with three polar patterns while its circuit produces tube-like saturation at high SPLs.
Saber mais2008
What else happendKMS 104 plus
Microfone de palco

The KMS 104 plus is a special version of the popular KMS 104 cardioid stage microphone. A slight boost in the low frequencies gives the plus version more “warmth” and “weight”. The KMS 104 plus is particularly popular among female singers.
Saber mais2009
What else happendTLM 102
Microfone de estúdio

Big sound for small studios: The TLM 102 is Neumann’s most affordable large diaphragm condenser microphone to date. Nonetheless it offers true Neumann quality, made in Germany.
Saber mais2009
What else happendKH 120 A G
Monitor nearfield de duas vias

Starting with the KH 120 in 2010, Neumann offers his expertise in electro-acoustic transducer technologies to the studio monitoring market, and is now the perfect partner for both the front end and the back end of the audio signal path.
Saber mais2010
What else happendKMR 81 D
Microfone shotgun digital

The KMR 81 D is the digital version of Neumann’s shotgun microphone KMR 81 i for film dialog and broadcast applications with highest fidelity, thanks to Neumann’s Solution D technology. The KMR 81 D complies to the AES 42 standard for digital microphones.
Saber mais2010
What else happendKMS 104 D
Microfone de palco digital

The KMS 104 D is the digital version of Neumann’s cardioid stage microphone KMS 104. Neumann’s Solution D technology ensures highest fidelity for a pristine studio grade vocal sound.
Saber mais2010
What else happendKMS 105 D
Microfone de palco digital

The KMS 105 D is the digital version of Neumann’s supercardioid stage microphone KMS 105. Neumann’s Solution D technology ensures highest fidelity for a pristine studio grade vocal sound.
Saber mais2010
What else happendKH 810
Subwoofer com gerenciamento de graves 7.1

The KH 810 is a subwoofer with a High Precision Bass Manager™ for stereo and surround setups up to 7.1. Thanks to the latest amplifier and acoustical components, the KH 810 achieves distortion-free bass extension down to 18 Hz.
Saber mais2011
What else happendKH 870
Subwoofer com gerenciamento de graves 7.1

The KH 870 is a subwoofer with a High Precision Bass Manager™ for stereo and surround setups up to 7.1. It offers the same precision as the KH 810 but with additional power for distortion-free bass reproduction even at highest SPLs.
Saber mais2011
What else happendKK 204
Microphone Head (for Sennheiser wireless systems)

Neumann sound on stage – wireless! The capsule head KK 204 uses a precision manufactured true condenser cardioid capsule and is specially designed for Sennheiser SKM 2000/6000/9000 handheld transmitters, EW G4 300/500 and EW-D wireless systems.
Saber mais2012
What else happendKH 310 A
Monitor nearfield de três vias

A high-resolution tri-amplified near-field monitor for editing, mixing, and mastering with confidence and precision. The KH 310 A offers the fastest transient response in its class, outstanding midrange detail, and a pleasantly dry low frequency reproduction.
Saber mais2013
What else happendTLM 107
Microfone de estúdio

The new studio workhorse. The TLM 107 is a state-of-the-art large diaphragm microphone with high-definition sound in five directional patterns. Variable pad and low cut settings and an enormous dynamic range make it adaptable to any application.
Saber mais2014
What else happendKH 420
Monitor midfield de três vias

A powerful tri-amplified midfield monitor for demanding engineers. The KH 410 combines enormous SPL capability with a low frequency reproduction that extends down to 26 Hz.
Saber mais2014
What else happendKH 120 D G
Monitor nearfield de duas vias

The digital Version of Neumann’s acclaimed KH 120 near-field monitors with AES3 and S/PDIF connectivity in addition to analog inputs.
Saber mais2014
What else happendKH 310 D
Monitor nearfield de três vias

The digital Version of Neumann’s high-resolution tri-amplified KH 310 near-field monitors with AES3 and S/PDIF connectivity in addition to analog inputs.
Saber mais2014
What else happendU 47 fet i
Microfone de estúdio

Introduced as a successor to the legendary U 47 tube microphone, the U 47 fet became a Neumann classic in its own right. Its smooth yet defined character shaped the sound of the 70s. Since 2014 it is available again.
Saber mais2014
What else happendKH 805
Subwoofer with 2.0/0.1 Bass Management

A budget friendly stereo version of the reknowned KH 810 subwoofer. The KH 805 offers low frequency extension down to 18 Hz and features a bypassable 2.1/0.1 bass manager which enables it to be used in many different applications.
Saber mais2015
What else happendKH 80 DSP A G
Monitor nearfield de duas vias

Neumanns first DSP-controlled studio monitor. Despite its small size, the KH 80 DSP achieves reference class sound. Its DSP engine allows for FIR phase correction as well as a room alignment using the Neumann.Control App.
Saber mais2017
What else happendU 87 Rhodium Edition
Celebrating 50th Years of the Classic

Neumann celebrates the anniversary of this studio legend with the U 87 Rhodium Edition – a spectacular creation that gives the U 87 an extra special look to celebrate its timeless achievement.
2017
What else happendU 67 Set
Microfone de válvula de estúdio

The tube microphone that defined the sound of the 1960s. The original is back!
Saber mais2018
What else happendKH 750 DSP
Subwoofer com gerenciamento de graves 2.0/0.1

Compact DSP-controlled closed cabinet subwoofer. It is the ideal choice for smaller rooms and smaller studio monitors, such as the KH 80 DSP.
Saber mais2019
What else happendNDH 20
Fone de ouvido de estúdio

The first Neumann Headphone – A premium quality closed-back studio headphone for monitoring, editing, and mixing.
Saber mais2019
What else happendV 402
Pré amplificador para microfones de canal duplo

Pré amplificador para microfones de canal duplo estado-da-arte com monitoração via fone de ouvido integrada.
Saber mais2020
What else happend



























































































































The Beginning
Company founded by Georg Neumann

CMV 3
O primeiro microfone condensador

A 'Garrafa Neumann', o primeiro microfone condensador produzido em massa. Diâmetro: 9 cm, altura: 40 cm, peso: 3 kg. A Telefunken, uma subsidiária da AEG, assumiu os direitos de marketing deste microfone Neumann.
Saber maisAM 31
Máquina de gravação para cera

O AM 31 foi o sucessor do primeiro torno de corte de disco AM 29 da Neumann, que ainda era acionado por correia. O inovador acionamento direto amortecido com óleo do AM 31 garantiu uma rotação extremamente uniforme.
R 21
Máquina de gravação portátil

O R 21 era um gravador de disco portátil para coleta eletrônica de notícias. Enquanto os tornos de corte de disco estacionários gravavam o sinal em discos de cera pesados, o R 21 usava folha de gelatina como meio de gravação.
Level Recorder
Registrador de nível logarítmico

No início, Neumann também desenvolveu equipamentos de medição como este gravador de nível, que era capaz de desenhar curvas de resposta de frequência em papel encerado.
MM 2
Microfone de medição

O primeiro microfone de medição da Neumann. Seu amplificador valvulado foi baseado no U 47, mas em vez de uma grande cápsula de diafragma, ele usou uma pequena cápsula condensadora de alta precisão em um pescoço longo para evitar reflexos do corpo do microfone.
Saber maisU 47
Microfone condensador comutável

O primeiro microfone condensador de padrão selecionável. Ele foi usado em inúmeras gravações famosas. Talvez o microfone Neumann mais popular - e com certeza uma lenda.
Saber maisM 49
Microfone condensador comutável remoto

O M 49 foi o primeiro microfone de estúdio com um padrão direcional continuamente variável. Ele usava a mesma cápsula de diafragma grande do U 47, e está entre os microfones de tubo mais procurados de todos os tempos.
Saber maisM 50
Microfone condensador (omnidirecional)

O M 50 foi fundamental no desenvolvimento da técnica de gravação da árvore Decca. A cabeceira de malha aberta abriga uma pequena cápsula de diafragma montada em uma pequena esfera. Suas propriedades acústicas exclusivas são ideais para gravações orquestrais.
Saber maisKM 53
Microfone miniatura

O primeiro microfone de estúdio de diafragma pequeno da Neumann. O KM 53 era um transdutor de pressão com um diafragma de metal ultra-fino. Como todos os microfones de sua época, ele operava com válvulas eletrônicas.
Saber maisKM 54
Microfone miniatura

O KM 54 era a contraparte cardióide do microfone omnidirecional de diafragma pequeno KM 53, lançado no ano anterior. O KM 54 apresentava um diafragma de metal ultra-fino e um tubo eletrônico.
Saber maisMM 3
Microfone de medição

O MM 3 era um microfone de medição de alta precisão, muito parecido com seu antecessor, o MM 2, mas com eletrônica de tubo atualizada.
Saber maisKM 56
Microfone miniatura comutável

O primeiro microfone de diafragma pequeno da Neumann com padrões direcionais selecionáveis (omni, cardióide, figura 8). Devido à sua complexidade em um pequeno tamanho, o KM 56 foi classificado entre os microfones mais caros de sua era.
Saber maisSM 2
Microfone estéreo

O primeiro microfone estéreo da Neumann. Com seus dois sistemas de diafragma pequenos selecionáveis independentemente (omni, cardióide, figura 8), o SM 2 permitia todos os tipos de técnicas de gravação estéreo coincidentes.
Saber maisU 48
Microfone condensador comutável

O U 48 era uma variante especial do microfone de estúdio carro-chefe da Neumann, o U 47. Em vez de padrões cardióide e omni, o U 48 oferecia cardióide e figura-8 (bidirecional).
Saber maisMM 5
Microfone de medição

O MM 5 foi uma atualização dos microfones de medição anteriores da Neumann, o MM 2 e o MM 3 com eletrônicos de baixo ruído, mas ainda baseados em tubo. O MM 5 permaneceria como o último microfone de medição produzido pela Neumann.
Saber maisKM 253
Microfone miniatura (à prova de altas frequências)

Uma versão especial do microfone omnidirecional de diafragma pequeno KM 53 para a indústria de transmissão. Para aumentar a imunidade à HF, o KM 253 foi equipado com um plug novo e maior.
Saber maisKM 254
Microfone miniatura (à prova de altas frequências)

Uma versão especial do microfone de diafragma pequeno cardióide KM 54 para a indústria de broadcast. Para aumentar a imunidade a altas frequências, o KM 254 foi equipado com um plug diferente.
Saber maisKM 256
Microfone miniatura (a prova de altas frequências)

Uma versão especial do microfone de diafragma pequeno KM 56, carro-chefe da Neumann com padrões selecionáveis (omni, cardióide, figura 8). Conforme solicitado pela indústria de transmissão, o KM 256 foi equipado com um plugue diferente para aumentar a imunidade às altas frequências.
Saber maisU 67 (1960)
Microfone condensador comutável

O microfone de tubo U 67 foi o carro-chefe do estúdio por excelência ao longo dos anos de formação da música moderna. Hoje, mais do que nunca, seu som inimitavelmente suave continua em alta demanda.
Saber maisSM 23 c
Microfone estéreo

Uma versão atualizada do microfone estéreo de Neumann SM 2. Como seu antecessor, o SM 23 tem dois pequenos sistemas de diafragma com padrões polares selecionáveis. O sistema superior pode ser girado para permitir as técnicas estéreo XY, MS e Blumlein.
Saber maisM 269 c
Switchable Condenser Microphone

The M 269 c was a special version of the U 67 for the German broadcast industry, which insisted on the use of the AC 701 tube (instead of the EF 86 used in the U 67).
Saber maisAK 3
Mixing Console

Between 1963 and 1993 Neumann manufactured a great deal of mixing consoles for radio and film studios, television, theatres, concert halls and the recording industry.
KM 64
Miniature Microphone

The KM 64 was the successor to Neumann’s KM 54 small diaphragm cardioid microphone. It still used an AC 701 tube circuit, but its capsule was a new design with a Mylar diaphragm.
Saber maisSM 69
Stereo Microphone

Neumann’s first large diaphragm stereo microphone SM 69 was still tube based. Polar patterns were selectable for each capsule individually via the power supply.
Saber maisU 64
Miniature Microphone

The U 64 was a variant of the KM 64 small diaphragm microphone. Instead of the Telefunken AC 701, which was not as easily available in non-European countries, the U 64 used a tiny nuvistor tube.
Saber maisSRM 64
Long Neck Stage Microphone

A long neck stage microphone for speeches and presentations. The SRM 64 consisted of a cardioid condenser capsule and a tube amplifier, hidden in the lower part of the stand tube.
Saber maisKTM
Transistor Microphone for Modulation Lead Powering

Neumann’s first solid state microphone. The KTM was a small diaphragm microphone using the same capsule as the KM 64. The KTM was soon replaced with the KM 74, which was almost identical except for a smaller body diameter.
Saber maisKM 73
Miniature Microphone for Modulation Lead Powering

The KM 73 was an omnidirectional small diaphragm microphone with solid state electronics. It was powered via T-power, P48 phantom power had not yet been invented.
Saber maisKM 74
Miniature Microphone for Modulation Lead Powering

The KM 74 the successor to the KTM, Neumann’s first transistorized microphone. It used the same cardioid capsule as the KM 64 and KM84, but the grounding scheme of its T-powered circuit necessitated a different capsule head design.
Saber maisKM 75
Miniature Microphone for Modulation Lead Powering

The KM 75 was a cardioid microphone for short distances, e.g. in speech applications. Its capsule had a built-in low cut to compensate for the proximity effect. Like all KM 70 microphones, the KM 75 was T-powered.
Saber maisKM 66
Switchable Miniature Microphone

The KM 66 was a small diaphragm microphone with switchable patterns similar to the KM 56 but with two cardioid capsules with mylar diaphragms. The KM 66 was to remain Neumann’s last tube microphone design for almost 30 years.
Saber maisKM 83
Miniature Microphone for Phantom Powering

The KM 83 was the omnidirectional model of the KM 80 series, which introduced a technology, which, due to its many advantages, soon became the new standard: P48 phantom power.
Saber maisKM 84
Miniature Microphone for Phantom Powering

The small diaphragm cardioid microphone KM 84 was built until 1992 and remains one of the most popular Neumann classics. Its even frequency response and consistent pickup pattern make it a sought-after microphone for all genres.
Saber maisKML
Clip-on Microphone

Neumann’s first Lavalier microphone. Its solid state amplifier could be battery powered and used with wireless transmitters of the day, such as the Sennheiser SK 1007.
Saber maisKM 85
Miniature Microphone for Phantom Powering

The KM 85 was a cardioid microphone like the KM 84 but with a low cut built into the capsule to compensate for the proximity effect. The KM 85 was thus optimized for short distances as are typical in speech applications.
Saber maisKM 76
Switchable Miniature Microphone

The KM 76 was the solid state successor to the KM 66 small diaphragm tube microphone. The KM 76 offered switchable patterns (omni, cardioid, figure-8) and operated T-powered.
Saber maisU 87 i
Switchable Studio Microphone

The Neumann U 87 is probably the best-known and most frequently used studio microphone the world over. Its smooth and refined sound is as iconic as its elegant exterior design. The U 87 is the standard microphone for speech and vocals.
Saber maisKM 86
Switchable Miniature Microphone

Like the KM 76, the KM 86 was a transistorized successor to the KM 66 small diaphragm tube microphone. The KM 86, however, was developed for P48 phantom power, introduced a few years earlier by Neumann – and soon the world standard.
Saber maisKMA (1968)
Clip-on Microphone

The KMA (not to be confused with today’s KM A modular microphone system!) was an improved Lavalier microphone with an omnidirectional capsule and a detached amplifier. It ran on batteries or phantom power.
Saber maisU 77
Switchable Studio Microphone (Mod. Lead Powering)

Like the U 87, the U 77 was a solid state successor to Neumann’s classic tube microphone U 67. But instead of phantom power – which was not yet a studio standard – the U 77 operated on T-power.
Saber maisKM 88
Switchable Miniature Microphone

The KM 88 was a multipattern small diaphragm microphone (omni, cardioid, figure-8) with FET electronics, similar to the KM 86. However, it used the same nickel capsules previously found in the KM 56 tube microphone.
Saber maisSM 69 fet
Stereo Microphone (Transistor)

With the beginning of the new decade, Neumann’s large diaphragm stereo microphone SM 69, too, was converted to solid state electronics. Nonetheless it still required a dedicated power supply due to its remote pattern control.
Saber maisKMS 85
Handheld Microphone

Neumann’s first handheld vocal microphone had an unusual shape, but it proved that clever engineering could render condenser microphones stage-ready.
Saber maisSRM 84
Long Neck Stage Microphone

The successor to the SRM 64 long neck stage microphone. Instead of a tube amplifier the SRM 84 had a solid state circuit hidden in the lower part of the stand tube.
Saber maisU 47 fet (1972)
Studio Microphone

By the early 70s Neumann’s tube microphone U 47 was legendary among seasoned engineers, and many wished for a direct solid state successor. The U 47 fet never quite filled those giant footprints, but was eventually (re)discovered as a classic in its own right.
Saber maisKU 80
Dummy Head

In the early 70s people began to think beyond stereo. Neumann’s first dummy head microphone KU 80 was able to capture a realistic, three-dimensional sound image for headphone playback.
Saber maisQM 69
Quadrophonic Microphone

In the mid-70s quadraphonic sound became popular among hi-fi enthusiasts. The Neumann QM 69 was a variant of the SM 69 fet with four separate outputs for each half of the two dual diaphragm capsules.
Saber maisU 497
Studio Microphone

A microphone specially made for the French broadcasting network ORTF. The U 497 featured a K47 capsule and a sophisticated solid state circuit, similar to that of the U 47 fet, but adapted to French radio’s 12V-powering system.
Saber maisKMS 84
Handheld Microphone

Neumann’s second attempt at a stage microphone looked considerably more handsome than the KMS 85 introduced a few years earlier. The KMS 84 used the same capsule as the KM 84 in a newly designed headbasket with excellent pop protection.
Saber maisKMR 82 i
Microfone shotgun

Neumann’s first shotgun microphone was designed with great attention to an even off-axis response to minimize unwanted sound coloration. The KMR 82 i is still in production!
Saber maisVMS 80
Disc Cutting Machine

Disc cutting lathe for vinyl. For many decades, Neumann was the world market leader for record cutting machines.
USM 69 i
Microfone estéreo

The USM 69 i is an updated version of Neumann’s large diaphragm stereo microphone SM 69 fet. Thanks to its integrated pattern controls the USM 69 i does not require a dedicated power supply anymore but can be run off phantom power.
Saber maisU 89 i
Microfone de estúdio

Designed as a successor to the U 87, the U 89 was eventually recognized as a classic Neumann microphone in ist own right. The U 89 sports an all-new dual diaphragm capsule with a consistently linear sound in five pickup patterns.
Saber maisVMS 82
Disc Cutting Machine

Direct Metal Mastering (DMM) disk cutter with SX 82 disk writer and SAL82 writer drive logic.
KMF 4 i
Miniature Microphone

A miniature microphone with a detached amplifier. Its visually unobtrusive cardioid capsule had a diameter of only 17 mm. The KMF 4 i could operate on phantom power or batteries.
Saber maisKU 81
Dummy Head

While older dummy head microphones created a stunningly realistic sound image when played back over headphones, loudspeaker playback was unsatisfactory. The KU 81 cured this with capsules equalized for the diffuse-field.
Saber maisKMR 81 i
Microfone shotgun

A short shotgun microphone, primarily designed for film dialogue. Like its longer sibling, the KMR 82 i, the KMR 81 i is still in production!
Saber maisTLM 170
Transformerless, switchable Studio Microphone

With the TLM 170 Neumann brought the first transformerless microphone onto the market. The absence of transformers makes the sound more transparent and open.
Saber maisU 87 Ai
Microfone de estúdio

Compared to the U 87 i, the U 87 Ai has minor changes in the electronics: higher operating safety, increased transmission factor, improved S/N ratio, omitted internal battery supply.
Saber maisRSM 190 i
First Stereo Shotgun Microphone

A stereo shotgun microphone with external matrix box. The RSM 190 i was a mid/side microphone with the shotgun part delivering the M-component and a second figure-8 capsule system, angled 90 degrees, providing the S-component.
Saber maisKM 130
Miniature Microphone

The KM 130 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 130 combines the KM 100 output stage with the diffuse-field equalized omni capsule AK 30.
Saber maisKM 131
Miniature Microphone

The KM 131 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 131 combines the KM 100 output stage with the free-field equalized omni capsule AK 31.
Saber maisKM 140
Miniature Microphone

The KM 140 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 140 combines the KM 100 output stage with the cardioid capsule AK 40.
Saber maisKM 143
Miniature Microphone

The KM 143 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 143 combines the KM 100 output stage with the wide cardioid capsule AK 43.
Saber maisKM 145
Miniature Microphone

The KM 145 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 145 combines the KM 100 output stage with the cardioid capsule AK 45, whose built-in low cut compensates the proximity effect.
Saber maisKM 150
Miniature Microphone

The KM 150 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 150 combines the KM 100 output stage with the hypercardioid capsule AK 50.
Saber maisRSM 191-S
Stereo Shotgun Microphone

Slightly modified version of the RSM 190. The matrix box got smaller additional features.
GFM 132
Boundary Layer Microphone

Neumann’s first and only boundary layer microphone. The GFM 132 was designed using computer simulations: The unique shape of the base plate avoids comb filter effects.
Saber maisTLM 50
Pressure Microphone

The TLM 50 revived the unique capsule technology of the classic Neumann M 50 of the 1950s and combined it with a cutting edge transformerless head amplifier for lowest noise and distortion.
Saber maisKMS 140
Handheld Micropohne

A handheld condenser microphone for pristine vocals on stage. The KMS 140 (cardioid) was the precursor to today’s very successful KMS 104.
Saber maisKMS 150
Handheld Microphone

A handheld condenser microphone for pristine vocals on stage. The KMS 150 (hypercardioid) was the precursor to today’s very successful KMS 105.
Saber maisKFM 100
Spherical-Surface Stereo Microphone

The spherical surface microphone KFM 100 had two omni capsules flush mounted in a sphere. It worked similar to a dummy head stereo microphone, but was optimized for loudspeaker playback. Although technically excellent, it never caught on.
Saber maisKU 100
Cabeça de manequim

The new and improved dummy head microphone KU 100 offers a truely immersive sound experience for music and audio drama productions. It is also used for industrial applications.
Saber maisN 7000
Modular Mixing Console

By the time the N7000 series was introduced, Neumann had already built mixing consoles for almost 30 years. The N7000 had comprehensive computer automation while the signal path remained analog.
Strategy 2002
Mixing Console

By the time the N7000 series was introduced, Neumann had already built mixing consoles for almost 30 years. The N7000 had comprehensive computer automation while the signal path remained analog.
TLM 170 R
Microfone de estúdio

Ten years after its initial release the TLM 170 was updated with Neumann’s new remote switching technology. In the ‚R’ setting the directional pattern may be controlled from the PSU with no special multipin cables required.
Saber maisTLM 193
Microfone de estúdio

By focusing on the essential features that are important for most home recording users, Neumann was able to offer the TLM 193, a cardioid microphone for smaller budgets in this increasingly larger area.
Saber maisKM 184 (Series 180)
Microfone miniatura

A reference class small diaphragm microphone with a consistent cardioid pattern, independent of frequency. The KM 184 is the successor to the classic KM 84 and can handle much higher SPLs, thanks to its transformerless output stage.
Saber maisRSM 191 A Set
Stereo Shotgun Microphone

A stereo shotgun microphone for broadcast, film, and on-location applications. Like its predecessor the RSM 191 A operates in mid/side technique; the corresponding new MTX 191 A matrix box offered significantly enhanced features.
Saber maisM 149 Tube
Microfone de válvula de estúdio

Neumann’s first tube microphone after an almost 30-year-hiatus. The M 149 received a TEC Award for its innovative combination of a (surprisingly low noise) tube circuit with a state-of-the-art transformerless output stage.
Saber maisKM 120
Miniature Microphone

The KM 120 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KM 120 combines the KM 100 output stage with the figure-8 capsule AK 20.
Saber maisTLM 103
Microfone de estúdio

Conceived as an affordable alternative to the venerable U 87, the TLM 103 has since become a modern studio standard. With a self-noise of only 7 dB-A the TLM 103 is one of the quietest microphones available.
Saber maisM 147 Tube
Microfone de válvula de estúdio

The M 147 Tube brings back the classic sound of Neumann’s famous tube microphones of the 1950s. It uses the same capsule as the legendary U 47 combined with an innovative transformerless tube circuit.
Saber maisTechnical Grammy
Technical Grammy 1999

Neumann was the first microphone manufacturer to receive the prestigious Technical Grammy Award of the National Academy of Recording Arts & Sciences in 1999.
KMS 105
Microfone de palco

The KMS 105 is a studio grade vocal microphone with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight supercardioid pattern.
Saber maisKM 183 (Series 180)
Microfone miniatura

Um microfone de diafragma pequeno de referência com um padrão omni consistente, independente da frequência. O KM 183 é o sucessor do clássico KM 83 e pode lidar com níveis de pressão sonora muito mais elevados, graças ao seu estágio de saída sem transformador.
Saber maisKM 185 (Series 180)
Microfone miniatura

A reference class small diaphragm microphone with a consistent hypercardioid pattern, independent of frequency. Its high directivity makes the KM 185 an excellent problem solver for demanding applications such as drum recording.
Saber maisM 150 Tube
Microfone de válvula de estúdio

A unique omnidirectional tube microphone, based on the legendary Neumann M 50 of the 1950s. Its titanium capsule is flush mounted in a small sphere to increase directivity at higher frequencies – ideal for DECCA Tree techniques.
Saber maisKK 105 S
Cabeça do microfone (SKM 5200/5000 N)

Neumann sound on stage – wireless! The capsule head KK 105 S uses a precision manufactured true condenser supercardioid capsule and is specially designed for Sennheiser SKM 5000/5200 handheld transmitters.
Saber maisBCM 104
Microfone de locução

The state of the art broadcast microphone from Neumann, made to convey emotion with perfection. Its functionally optimized design features an integrated pop screen and a shock protected large diaphragm condenser capsule.
Saber maisD-01
Microfone de estúdio digital

A new milestone: The D-01 digital microphone is the flagship of Neumann’s Solution D technology ensuring unprecedented fidelity and an enormous dynamic range of 130 dB. All functions may be remote controlled via the AES 42 interface.
Saber maisTLM 127
Studio Microphone

Designed as the bigger brother of the popular TLM 103, the TLM 127 offered additional functions such as pad and low cut and even remote controllable patterns using the patented technology Neumann had introduced ten years earlier with the TLM 170 R.
Saber maisKK 104 S
Cabeça do microfone (SKM 5200/5000 N)

Neumann sound on stage – wireless! The capsule head KK 104 S uses a precision manufactured true condenser cardioid capsule and is specially designed for Sennheiser SKM 5000/5200 handheld transmitters.
Saber maisBCM 705
Microfone de locução

An affordable broadcast microphone from Neumann, made to convey emotion with perfection. Its functionally optimized design features an elastic suspension. Neumann’s first microphone with a dynamic capsule.
Saber maisKMS 104
Microfone de palco

The KMS 104 is a studio grade vocal microphone with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight cardioid pattern.
Saber maisTLM 49 Set
Microfone de estúdio

The sound of Neumann’s vintage classics, recreated with trouble free FET circuitry. The TLM 49 uses the same capsule and the same iconic headgrille design as the legendary M 49. Like a tube microphone, the TLM 49 produces soft saturation at higher SPLs.
Saber maisSystem KM A/D
Modular Miniature Microphone System

The System KM A/D is a modular microphone system for even the most demanding applications. Eight different small diaphragm capsules (KK 120 … KK 185) may be combined with either an analog output stage (KM A) or a digital AES 42 output stage (KM D).
U 87 Anniversary Set
Studio Microphone

For its 40th anniversary the U 87 was offered as a special set in a unique retro style case. The microphone, its shock mount, and the exclusive 60s style pop shield featured an attractive combination of polished and matte nickel surfaces.
Saber maisTLM 103 D
Microfone de estúdio digital

The digital version of Neumann’s acclaimed TLM 103 large diaphragm condenser microphone. The TLM 103 D uses Neumann’s Solution D converter technology ensuring highest fidelity with an enormous dynamic range of 130 dB.
Saber maisTLM 67
Microfone de estúdio

Inspired by Neumann’s classic tube microphone U 67, the TLM 67 produces a similar sound with trouble free FET circuity. Like its predecessor, the TLM 67 is a workhorse with three polar patterns while its circuit produces tube-like saturation at high SPLs.
Saber maisKMS 104 plus
Microfone de palco

The KMS 104 plus is a special version of the popular KMS 104 cardioid stage microphone. A slight boost in the low frequencies gives the plus version more “warmth” and “weight”. The KMS 104 plus is particularly popular among female singers.
Saber maisTLM 102
Microfone de estúdio

Big sound for small studios: The TLM 102 is Neumann’s most affordable large diaphragm condenser microphone to date. Nonetheless it offers true Neumann quality, made in Germany.
Saber maisKH 120 A G
Monitor nearfield de duas vias

Starting with the KH 120 in 2010, Neumann offers his expertise in electro-acoustic transducer technologies to the studio monitoring market, and is now the perfect partner for both the front end and the back end of the audio signal path.
Saber maisKMR 81 D
Microfone shotgun digital

The KMR 81 D is the digital version of Neumann’s shotgun microphone KMR 81 i for film dialog and broadcast applications with highest fidelity, thanks to Neumann’s Solution D technology. The KMR 81 D complies to the AES 42 standard for digital microphones.
Saber maisKMS 104 D
Microfone de palco digital

The KMS 104 D is the digital version of Neumann’s cardioid stage microphone KMS 104. Neumann’s Solution D technology ensures highest fidelity for a pristine studio grade vocal sound.
Saber maisKMS 105 D
Microfone de palco digital

The KMS 105 D is the digital version of Neumann’s supercardioid stage microphone KMS 105. Neumann’s Solution D technology ensures highest fidelity for a pristine studio grade vocal sound.
Saber maisKH 810
Subwoofer com gerenciamento de graves 7.1

The KH 810 is a subwoofer with a High Precision Bass Manager™ for stereo and surround setups up to 7.1. Thanks to the latest amplifier and acoustical components, the KH 810 achieves distortion-free bass extension down to 18 Hz.
Saber maisKH 870
Subwoofer com gerenciamento de graves 7.1

The KH 870 is a subwoofer with a High Precision Bass Manager™ for stereo and surround setups up to 7.1. It offers the same precision as the KH 810 but with additional power for distortion-free bass reproduction even at highest SPLs.
Saber maisKK 204
Microphone Head (for Sennheiser wireless systems)

Neumann sound on stage – wireless! The capsule head KK 204 uses a precision manufactured true condenser cardioid capsule and is specially designed for Sennheiser SKM 2000/6000/9000 handheld transmitters, EW G4 300/500 and EW-D wireless systems.
Saber maisKH 310 A
Monitor nearfield de três vias

A high-resolution tri-amplified near-field monitor for editing, mixing, and mastering with confidence and precision. The KH 310 A offers the fastest transient response in its class, outstanding midrange detail, and a pleasantly dry low frequency reproduction.
Saber maisTLM 107
Microfone de estúdio

The new studio workhorse. The TLM 107 is a state-of-the-art large diaphragm microphone with high-definition sound in five directional patterns. Variable pad and low cut settings and an enormous dynamic range make it adaptable to any application.
Saber maisKH 420
Monitor midfield de três vias

A powerful tri-amplified midfield monitor for demanding engineers. The KH 410 combines enormous SPL capability with a low frequency reproduction that extends down to 26 Hz.
Saber maisKH 120 D G
Monitor nearfield de duas vias

The digital Version of Neumann’s acclaimed KH 120 near-field monitors with AES3 and S/PDIF connectivity in addition to analog inputs.
Saber maisKH 310 D
Monitor nearfield de três vias

The digital Version of Neumann’s high-resolution tri-amplified KH 310 near-field monitors with AES3 and S/PDIF connectivity in addition to analog inputs.
Saber maisU 47 fet i
Microfone de estúdio

Introduced as a successor to the legendary U 47 tube microphone, the U 47 fet became a Neumann classic in its own right. Its smooth yet defined character shaped the sound of the 70s. Since 2014 it is available again.
Saber maisKH 805
Subwoofer with 2.0/0.1 Bass Management

A budget friendly stereo version of the reknowned KH 810 subwoofer. The KH 805 offers low frequency extension down to 18 Hz and features a bypassable 2.1/0.1 bass manager which enables it to be used in many different applications.
Saber maisKH 80 DSP A G
Monitor nearfield de duas vias

Neumanns first DSP-controlled studio monitor. Despite its small size, the KH 80 DSP achieves reference class sound. Its DSP engine allows for FIR phase correction as well as a room alignment using the Neumann.Control App.
Saber maisU 87 Rhodium Edition
Celebrating 50th Years of the Classic

Neumann celebrates the anniversary of this studio legend with the U 87 Rhodium Edition – a spectacular creation that gives the U 87 an extra special look to celebrate its timeless achievement.
U 67 Set
Microfone de válvula de estúdio

The tube microphone that defined the sound of the 1960s. The original is back!
Saber maisKH 750 DSP
Subwoofer com gerenciamento de graves 2.0/0.1

Compact DSP-controlled closed cabinet subwoofer. It is the ideal choice for smaller rooms and smaller studio monitors, such as the KH 80 DSP.
Saber maisNDH 20
Fone de ouvido de estúdio

The first Neumann Headphone – A premium quality closed-back studio headphone for monitoring, editing, and mixing.
Saber maisV 402
Pré amplificador para microfones de canal duplo

Pré amplificador para microfones de canal duplo estado-da-arte com monitoração via fone de ouvido integrada.
Saber maisProdutos populares
NEUMANN – A MELHOR QUALIDADE DE SOM DO MUNDO DESDE 1928
Desde 1928 que a marca Neumann é sinônimo de perfeição sonora, pesquisa e desenvolvimento pioneiros e qualidade rigorosa.
É rara a gravação – seja música clássica, rock ou pop, transmissão de notícias ou diálogo na rádio – na qual não tenha sido usado pelo menos um microfone da Neumann.
Desde 2010, a Neumann também tem oferecido soluções de som profissionais para o mercado da monitoração de estúdio, fornecendo assim soluções ideais para os seus clientes no âmbito da transmissão de TV e rádio, captação, som ao vivo e pós-produção. Desde 2019, a gama de produtos inclui também fones de ouvido. A sede da Neumann encontra-se em Berlim, onde a empresa celebrou seu 90.º aniversário em 2018.
Descubra os microfones de estúdio, monitores e fones de ouvido fabricados pela Neumann.